But in a way, the shot can be seen to enhance the sense of intimacy by intentionally corrupting what could have been a harmonious but also impersonal love scene, one with a generic appearance through which advertising has harnessed every romantic signifier. The “triple x” shot that has sparked controversy among reviewers seems to invite and play with accusations coming from the reception of the viewing audience. Several elements of the way blame operates within the film are immediately present in it. I return now to the passionate love scene of the prologue. Lars Von Trier’s Antichrist: Executioner at the Alter of the Other, Part 2 A Closer Examination of the Trialīy Dorothy Geller Volume 14, Issue 11 / November 2010 21 minutes (5134 words)
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |